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《隐私奏鸣曲》 Original

Public ArtProjectionInstallation Art
Tanganquan 2020-10-16 4738
The theme of the work is the phenomenon of data privacy transparency in the era of artificial intelligence. Everyone is in the interest chain of "network", inevitably exchanging their own privacy data for convenience. However, when they choose to publish their privacy data, a self-monitoring system is generated. In this system, we are the victims of exploitation The people involved in the case are ourselves. With the development of human information recording technology and transmission technology, the huge and complex data generated by computer computing and information revolution, which takes nodes and structures as the existing mode, infiltrates into our life and civilization through various interfaces. In the era of big data, personal privacy protection seems to be a false proposition. The author will try to use his own private data as the material and personal location data as the driving force of the device, so as to transform the abstract data into a disordered Sonata that can be felt by the audience through mapping. The performer who plays this piece is a data life body which is similar to the totem and is wrapped by bones, which pulls its own Body organs to perform. The inspiration of the overall shape of the installation comes from the different totem worship in different areas in ancient times. It may be the primitive tribe's belief in nature or the symbol used to explain myths and folk customs. The use of totem is the earliest cultural phenomenon in human history. The author hopes to record the epoch-making feature of "big data" by creating a "dynamic totem". The work seems that the author is consuming his own private data or ridiculing the disadvantages of the data sharing era, but the actual purpose is more inclined to explore data as a special material for future art creation.

Software(s): Cinema 4D

Hardwares: Arduino

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