这组声音装置,灵感起源于作者在海边看到小石头被海浪重复的冲刷,石头的形状是在重复的、有规律性的周期的潮汐作用下,出现的造型。用制作雕塑的角度去理解,即是海浪给石头在做减法。它也恰好连接起作者对周期性的时间的理解,两者通过作者的思考衔接起来。于是作者使用waterphone-水琴的乐器作为运动部分,石头以及作者的一些生活物件作为静态部分,石头在与水琴重复的运动中产生了碰撞,石头的形状产生了变化,这像是石头被加速塑造的过程,它在重复的运动中形状、质量反复的被改变着。
This group of sound devices, inspired by the author's view on the beach, is that the small stones are repeatedly washed by the waves. The shape of the stones is the shape that appears under the tidal action of repeated, regular cycles. To understand the angle of the sculpture, that is, the waves give the stone a subtraction. It also happens to connect the author's understanding of the periodic time, which is connected by the author's thinking. So the author uses the waterphone-water piano instrument as the moving part, the stone and some of the author's living objects as the static part. The stone collides with the repeated movement of the water piano, and the shape of the stone changes, which is like the stone being accelerated. The process, which is repeatedly changed in shape and quality in repeated movements.
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