《梦核·童年灵韵考》 Original

This work anchors itself in the philosophy that "childhood is the homeland of the soul, and dreams are the archaeological site of consciousness," and through the fusion of surrealism and dream-core aesthetics, it carries out an in-depth "archaeology" of the individual’s spiritual spectrum.

It condenses the innocent perceptions of childhood, the painful awakening of self-awareness, and the construction and reconstruction of the emotional world into an epic evolution of visual symbols — from the "color phantoms" of chaotic consciousness, to the "fractured visage" of self-recognition, and then to the "toy utopia" of emotional refuge. Each frame raises a question: how do we retrieve the spirit of childhood from the fragments of dreams, and how do we decode the truth of the self from the relics of childhood?

Ultimately, through the dream-core’s unique sense of "vague realism," the work allows viewers to confront the "primal code" of their spiritual growth amid visual tension that is both familiar and strange. It facilitates a subconscious dialogue on "where I come from and where my soul is headed," achieving an aesthetic resonance between individual memory and collective nostalgia, and triggering viewers’ subconscious connection to childhood and dreams, thus completing a retrospective expression of personal spiritual growth.