Japan's first permanent "180-degree experience type projection mapping" was created in the dockyard garden, which was originally a shipyard dock and is now designated as a National Important Cultural Property. This groundbreaking approach, combining the concepts of projection mapping and virtual reality, attracted 10,000 visitors in the first month and a half after its opening and continued to run for several years. The company developed its own innovative systems, including camera-mapping technology for continuous projection of images on a staircase-like screen, an automatic color correction system to offset the shading of blocks on the walls, an automation system to automate daily operations, and a remote maintenance system. For content, a plan was devised that combines cultural and entertainment aspects of experiencing Yokohama's history in a time machine.
Client
三菱地所
Staff
director hiroaki higashi [stoicsense]
producer/technical director nobumichi asai[p.i.c.s.co.,ltd.]
line producer koji kojima[p.i.c.s.co.,ltd.]
production manager rina funatsu [p.i.c.s.co.,ltd.]
production manager aya kumakura [p.i.c.s.co.,ltd.]
software engineer/programmer toshiyuki takahei [orihalcon tecnologies, inc.]
software engineer naoya ueda [orihalcon tecnologies, inc.]
software engineer/programmer paul lacroix
music director/producer bruce ikeda [jkd collective inc.]
music artists
takagi masakatasu / hifana / inner science / dj uppercut
hardware engineer satoru itoya [japan science foundation]
hardware engineer hikaru okuno [japan science foundation]
executive producer osamu enari
creative director jun nishida
planner/producer yasuhiro suzuki
Comments
Please Log in or Register to comment