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AIRSpace
深圳市人工智能与机器人研究院
China Shenzhenshi Intro： AIRSpace展厅基干深圳市人工智能与机器人研究院 AIRS 的基础科研，与科学 + 艺术联合实验室的创作出品，构建起科学艺术接力合作、创作展示的新模式：艺术作品背后有严谨高水准的科研学术支持，艺术也从新的维度对科学进行价值挖掘转化。在科学与艺术两者的共振中，拓宽公众认知的边界。
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深圳驻留演出｜🪩 ALGORAVE 算法音乐现场 X 机器人剧场
算法锐舞｜ALGORAVE SHENZHEN ALGORAVE 将首次以公共演出的形式引入剧场语境，将新兴实验的 Algorave 算法音乐文化引入全球视野，带来尖端前沿的实时编程、生成式视觉与科技艺术内容。在深圳机器人剧场300平米的大屏幕上，一场由代码驱动的音乐锐舞派对即将发生。 SHENZHEN ALGORAVE marks the first time this emerging experimental music culture will be introduced within a formal theater context in Shenzhen. Bringing the global phenomenon of Algorave into focus, the event showcases cutting-edge live coding, generative visuals, and tech-art. At the Shenzhen Robot Theater, over 300sqm screen, a music rave driven entirely by code is about to unfold. Algorave不仅是一种音乐风格，也是一种态度，它拒绝隐藏技术，也拒绝把算法当作幕后工具。演出以 Algorave 算法音乐文化为核心。Livecoding 作为其关键形式，艺术家在现场实时书写代码，同步生成音乐与视觉。所有声音与影像均在演出过程中即时产生（无预制内容，也不使用人工智能模型）。观众能够直接看到代码的生成过程，理解声音、节奏与视觉如何在算法逻辑中被不断演化。 Algorave is more than just a musical style; it is an attitude. It rejects the concealment of technology and refuses to treat algorithms as mere behind-the-scenes tools. At the heart of this performance is Livecoding—a key practice where artists write code in real-time to simultaneously generate sound and visuals. All audio and imagery are produced instantaneously during the performance (no pre-recorded content, no AI models). The audience can witness the code as it is written, gaining a direct understanding of how sound, rhythm, and visuals evolve through algorithmic logic. We will finish the night with a live DJ set with live coded visuals. We will showcase a variety of live coded sets from ambient to dance music. 在深圳机器人剧场这一高度技术化的空间中，音乐在现场被计算，视觉在代码中生长，节奏、光线与结构不断被重写。演出整体呈现为一场介于音乐派对与实验性科技艺术演出之间的现场事件。这里既是音乐锐舞派对，也是实验现场，一场关于系统、控制与即兴演绎的实时测试。观众是被包裹在声光与运算之中的共同在场者。 Within the highly technical space of the Shenzhen Robot Theater, music is computed live, visuals grow from code, and rhythm, light, and structure are constantly rewritten. The event exists at the intersection of a music rave and an experimental tech-art performance—a real-time test of systems, control, and improvisation. Here, the audience becomes a collective presence enveloped in sound, light, and computation. 机器人剧场在这一夜变成临时的计算场 低频、闪烁、逻辑断裂与突然成立的秩序交替出现 剧场将成为一个开放的计算系统 SHENZHEN ALGORAVE 一切都处于持续演算的临界状态 Robot Theater will transform into a temporary computational field Low frequencies, flickering lights, fractured logic, and sudden bursts of order collide The theater becomes an open computing system SHENZHEN ALGORAVE Everything exists in a state of continuous calculation 演出｜Performance 🕗 日期Date: 2026/01/25 Sun｜8-10 p.m. 📍 地点Venue: Robot Theater | 机器人剧场 请扫码海报微信群二维码，获取名额。活动免费开放，座席有限，先入先得。 Please scan the QR code on the poster to join the WeChat group and secure a spot. Free admission with limited seating, first come, first served. 主创｜Artists 主创演出艺术家来自美国各大顶尖高校，长期从事前卫实验音乐、沉浸式视觉舞台、国际现场演出，具备丰富成熟的剧场与技术舞台经历。 The lead performing artists hail from top-tier universities in the United States. They are long-time practitioners of avant-garde experimental music, immersive visual stages, and international live performances, bringing extensive experience in both theatrical and technical stage production. Char Stiles MIT Media Lab, Future Sketches Char Stiles is a computational artist, educator, and researcher. She works creatively in the lower levels of graphical computational systems & makes jokes about how computers work. She is currently an affiliate at the MIT Media Lab's Future Sketches group researching the future of creative coding in performance. She is a part of the Livecode.nyc collective & she co-founded Hex House, an artist studio and event space in East Williamsburg. She has performed internationally, including festivals such as Electric Forest, Portola, and Mutek Nexus. She has lectured and led workshops at Carnegie Mellon University, Duke University, University of Limerick, MIT, and NYU. Livecoding is the performance of writing code that compiles to make visuals and music live, without AI. Antithetical to conventional electronic music performances, that are pre-prepared and opaque, in a livecoding performance the audience can see the code being written on-the-fly improvised music and visuals. 🔗：charstiles.com Arbor Arbor is an artist interested in light as a medium of expression. Through the coordination of light in time, he creates works that blur the boundaries between performance, installation, and artifact. Diffusion is an audiovisual performance composed of real-time simulations as a live-puppetered poetry of light and sound. Featuring sound by Tzu Ni. * This work contains flashing and flickering patterns, high-frequency sounds, and rapid changes in light and sound intensity. Please take care if you are sensitive to light or have photosensitive or auditory conditions. 🔗：derrekchow.com/#about Jessica Stringham (this.xor.that) MIT Media Lab, Future Sketches She creates visuals using custom live coding software written in Rust. this.xor.that’s real-time visuals incorporate geometric patterns, vibrant colors, and glitches driven by code expressions that incorporate MIDI, audio signals, and occasionally things like heart rate monitors or the act of drawing. As a graduate researcher at MIT Media Lab's Future Sketches group, Jessica explores ways to create and navigate vast parameter spaces through live coding, multi-modal input, and machine learning techniques. Previously a machine learning engineer at Spotify, they hold a BSc in Computer Science from Harvey Mudd College and an MSc in Artificial Intelligence from the University of Edinburgh. this.xor.that has performed in the US, the UK, and Spain. 🔗：www.thisxorthat.art/ Sidney San Martin (s4y) s4y programs and moves with sound, lasers, and coordinate spaces. he designs custom tools and electronics for live performance and immersive art, and enjoys deeply technical work focused into small, quiet moments. he will be performing live, generative visuals over a DJ set by Arbor (~20m). Sam Chin MIT Media Lab, Responsive Environments Sam Chin is an engineer and artist who works at the intersection of electronics and physical materials. She integrates circuitry with textiles and ceramics, creating large-scale interactive installations and curious objects that invite exploration. Her work includes developing the electronics for the Living Knitwork Pavilion at Burning Man’s Honoraria program, among other projects that explore what happens when technology meets traditional craft. 主策｜Producers 刘紫茵ZINN AIRS科学+艺术联合实验室主创、第十届深双执行策展人、 驻留策展人&研讨会主席 Founding Member, SciArt Colab, AIRS; Eexcutive Curator, the 10th UABB Biennale; Residency Curator & Symposium Chair Cedric HONNET MIT媒体实验室响应环境组博士 HCI|嵌入式系统|智能可穿戴|微缩系统|可扩展研究 MIT Media Lab Responsive Environments Group PhD; Keywords: HCI - New Interfaces - Embedded Systems - Wearables - Miniaturisation - Scalable Research 导师｜Advisors 丁宁博士 深圳市人工智能与机器人研究院 常务副院长 Dr. DING Ning, Executive Vice President of Shenzhen Institute of Artificial Intelligence and Robotics for Society (AIRS) 沈少民 深圳市人工智能与机器人研究院 科学+艺术联合实验室 艺术总监 SHEN Shaomin, Director of SciArt Co-lab, Shenzhen Institute of Artificial Intelligence and Robotics for Society (AIRS) 过往演出｜Previous shows youtu.be/hlwBp2RKS9I；youtu.be/T8qyFC25e2g @ Char derrekchow.com/diffusion @ Arbor thisxorthat.art/systems/livecode @ Jessica 项目背景｜Program 项目完整详情，请阅读🔗 For full details of the program 🔗 *本次演出是「国际科技艺术驻留」MIT Research at Scale驻留项目阶段性成果的公众呈现。由深圳市人工智能与机器人研究院 科学+艺术联合实验室 SciArt Colab X 第十届深港城市\建筑双城双年展 UABB策划呈现。演出创作者均来自该国际驻留项目，演出同时将作为驻留成果的公众展示。 This performance is the public presentation of the "International Tech-Art Residency" — MIT Research at Scale. It is curated and presented by the SciArt Colab (SciArt Colab) of the Shenzhen Institute of Artificial Intelligence and Robotics for Society (AIRS) in collaboration with the 10th Bi-City Biennale of Urbanism\Architecture (UABB). All performers are participants of this international residency, and the show serves as a public showcase of their residency outcomes. 编辑：刘紫茵｜ Editor: ZINN
国际科技艺术驻留与研讨会｜10位MIT媒体实验室博士X全球50+创新者齐聚深圳
项目介绍 🚀2025年1月，十位MIT媒体实验室博士将来到深圳，启动为期一个月的驻留项目，期间举办为期一周的学术研讨会，展开科技艺术方向的研究创作与交流共创。 「国际科技艺术驻留与研讨会」项目由深圳市人工智能与机器人研究院 AIRS、科学+艺术联合实验室 SciArt Co-lab，与南方科技大学创新创意设计学院SUSTech School of Design联合主办项目。 十位麻省理工学院媒体实验室 MIT Media Lab博士，他们的研究与实践方向横跨电子工程、计算机科学、人机交互、机械工程、电子纹身、纺织材料、实验音乐、物理技术、可持续发展等等多个领域。 更有全球50+创新者齐聚，来自麻省理工学院、哈佛大学、卡耐基梅隆大学、布朗大学、斯坦福大学、纽约大学、芝加哥大学、普瑞特学院、美国东北大学、德保罗大学、日本东京大学、韩国科学技术院、韩国庆熙大学、香港中文大学（深圳）、南方科技大学、西班牙马德里卡洛斯三世大学、法国未来技术研究所、法国星球研究所、德国马克斯·普朗克研究所等，国内外20+知名高校与研究机构，50+名博士学者研究员将在此期间共聚深圳，进行融合了科研艺术设计工程等领域的跨学科探索，打破科学与艺术的边界，连接美国、英国、法国、德国、西班牙、中国、韩国、日本等多国创意生态。 项目驻留项目期间，包含为期一周的学术研讨会——可拓展性人机交互研讨会（Scalable HCI Symposium），研讨会将于1月6日至1月12日举办。 项目亮点： ✨01.06-01.12 可拓展性人机交互研讨会 ✨01.10 在深圳市人工智能与机器人研究院、科学+艺术联合实验室：科研实验室参观、MIT博士团队研究方向与项目案例分享、嘉宾主旨演讲、科技艺术脑爆共创 ✨01.06 在南方科技大学创新创意设计学院：科研海报展、设计学院参观、嘉宾主旨演讲、学术报告、自由交流 ✨此外还有：实地工厂考察、本地生态探访、圆桌探讨、集中现场开发、创客马拉松等多元环节 项目流程详见官网：scalablehci.com/2025 2017 Credit- MIT Media Lab 🚀 In January 2025, ten MIT Media Lab PhD researchers will arrive Shenzhen to unfold a month-long residency week-long symposium, starting a journey of research, creation and exchanges in the direction of science and art. The International Tech-Art Residency and Symposium is co-hosted by the Shenzhen Institute of Artificial Intelligence and Robotics for Society (AIRS), the SciArt Co-Lab, and the School of Design, Southern University of Science and Technology (SUSTech). During the residency, the 10 MIT Media Lab researchers will engage in interdisciplinary research and creative practices, spanning fields such as electronic engineering, computer science, human-computer interaction, mechanical engineering, electronic tattoos, textile materials, experimental music, physical technologies, sustainability, wtc. Additionally, 50+ innovators from over 20 world-renowned institutions—including MIT, Harvard, Carnegie Mellon, Brown, Stanford, New York University, the University of Chicago, Pratt Institute, Northeastern University, DePaul University, the University of Tokyo, KAIST, Kyung Hee University, The Chinese University of Hong Kong, Shenzhen, SUSTech, UC3M, France’s Institute for Future Technologies, Learning Planet Institute, and Germany’s Max-Planck Institute—will gather in Shenzhen for an international exchange of ideas. This event bridges disciplines across science, art, design, and engineering while connecting creative ecosystems from the US, UK, France, Germany, Spain, China, Korea, and Japan. Program Highlights: ✨01.06 - 01.12: Scalable HCI Symposium ✨01.10: In AIRS & SciArt Co-Lab: Lab tours, MIT PhD research presentations and project case studies, Keynote speeches, Sci-tech art co-creation sessions ✨01.06: In SUSTech School of Design: Research poster exhibition, Guest keynotes, Academic lectures ✨Additional Activities: Factory site visits, Roundtable discussions, On-site development workshops, Maker marathons 🔗For the full program, visit the official website: scalablehci.com/2025 主旨演讲嘉宾 Keynote Guest Speakers 1. Pedro Lopes是芝加哥大学计算机科学副教授，专注于将界面与人体相结合，探索超越可穿戴设备的界面范式，其中包括：肌肉刺激可穿戴设备，允许用户操作从未见过的工具或加速反应时间，或者利用嗅觉气味产生温度错觉的设备。研究领域为：人机交互、虚拟+增强现实、可穿戴计算。 2. David Ramsay 是德保罗大学计算机学院的助理教授。他于2023年获得麻省理工学院媒体实验室响应环境组博士学位。他研究无处不在的工具如何设计改变我们的认知，特别关注日常注意力模式。他将高质量硬件系统与尖端统计建模相结合，用以测量、理解和改善人类体验。研究方向：人机交互、计算的社会学方面、下一代传感系统。 3. Pedro de Oliveira 是纽约大学交互电讯项目和互动媒体艺术系的助理艺术教授。Pedro 是一位巴西艺术家、研究者和教育者，其研究实践游走于数字与物理的混乱边界，聚焦于设计和与新兴技术共存的社会与政治挑战，他的作品在国际上广泛展出。 4. 潘昊Eric Pan 是一位资深创客，也是深圳矽递科技股份有限公司Seeed Studio、柴火创客空间创始人、大湾区国际创客峰会Maker Faire Shenzhen发起人。其创办的柴火创客空间已成为全球硬件创新者在深圳的大本营。2013年被《福布斯》杂志评选“中国30位30岁以下的企业家”。 1. Pedro Lopes is an Associate Professor in Computer Science at the University of Chicago. Pedro focuses on integrating interfaces with the human body—exploring the interface paradigm that supersedes wearables. These include: muscle stimulation wearables that allow users to manipulate tools they have never seen before or that accelerate reaction time, or a device that leverages the smell to create an illusion of temperature. Research Focus Areas: Human Computer Interaction, Virtual + Augmented Reality, Wearable Computing. 2. David Ramsay is the Assistant Professor in the School of Computing of DePaul University. David earned his PhD in 2023 from the MIT Media Lab as part of the Responsive Environments Group. He studies how the design of ubiquitous tools alter our cognition, with an emphasis on patterns of daily attention. He combines high-quality hardware systems with cutting edge statistical modeling to measure, understand, and improve human experience. Research Area: Human Computer Interaction, Social Aspects of Computing, Next generation Sensing Systems 3. Pedro de Oliveira is an Assistant Arts Professor of Interactive Telecommunications Program and Interactive Media Arts at New York University. Pedro is a Brazilian Artist, Researcher, and Educator, who’s research-driven practice inhabits the chaotic boundaries between digital and physical and tackles the social and political challenges of designing for and living with emerging technologies. Pedro’s work has been exhibited internationally. 4. Eric Pan is the Founder and CEO of “Seeed Studio” and “Chaihuo Makerspace”, as well as the Producer of “Maker Faire Shenzhen”. He is one of the recognized leading figures of the Maker Movement and Maker Culture in China. In 2013, he was selected by Forbes Magazine as “China’s 30 Entrepreneurs Under 30”. MIT媒体实验室驻留者 MIT Media Lab Residents 1. Alan Han，MIT 大学 MAS 系比特和原子中心 (CBA) 研究生，研究微纳米领域的离散组装。 2. Andy Kong，MIT Media Lab 研究员；关键词：人体增强、计算摄影和个人信息学。 3. Francisco Ramirez，MIT 大学博士生，研究微型机器人运动，具体应用于制造自我复制机器人。 4. Jason Hou，MIT Media Lab 大学博士生；关键词：电子设计、材料、神经和软组织接口设备。 5. Lingdong Huang，MIT Media Lab 大学未来草图小组博士生。他的专业领域是艺术、多媒体、研究和娱乐领域的高性能软件开发。 6. Patrick Chwalek，MIT Media Lab 大学响应环境小组博士生。探索：动物体内和近体监测、机器学习模型、边缘计算、生理学（人类和动物）感知和野火探测器。 7. Thomas Sanchez，MIT Media Lab 博士生；关键词：城市科学、音乐、人类色彩感知 8. Vineet Padia，MIT 机械工程博士生；关键词：微流体、软机器人、MEMS 和精密机械设计。 9. Yuhan Wang，MIT Media Lab 研究助理；通过构建融入建筑环境或建筑规模的有形界面来探索未来的建筑形式和生活环境 10. Cedric Honnet，MIT Media Lab 博士生；关键词：HCI - 嵌入式系统 - 人类增强 - 可穿戴设备 Speakers: 1. Alan Han, grad student in the Center for Bits and Atoms (CBA) in the MAS dept at MIT, exploring discrete assembly in the micro and nano realms. 2. Andy Kong, research affiliate at MIT Media Lab; Keywords: human augmentation, computational photography, and personal informatics. 3. Francisco Ramirez, PhD student at MIT doing research on microrobot locomotion, specifically applied to the purpose of making self-replicating robots. 4. Jason Hou, PhD student at the MIT Media Lab; Keywords: electronics design, materials, neural and soft-tissue interface devices. 5. Lingdong Huang, PhD student in the Future Sketches group at MIT Media Lab. His field of expertise is high-performance software development for the arts, multimedia, research, and entertainment. 6. Patrick Chwalek, PhD student in the Responsive Environments Group at the MIT Media Lab. Explorations: on- and near-animal monitoring, machine learning models, edge computing, physiology (of humans and animals) sensing, and wildfire detectors. 7. Thomas Sanchez, PhD student at the MIT Media Lab; Keywords: City Science, music, human color perception 8. Vineet Padia, PhD student in mechanical engineering at MIT; Keywords: microfluidics, soft robotics, MEMS, and precision mechanical design. 9. Yuhan Wang, Research Affiliate at MIT Media Lab; exploring the future form of architecture and the living environment by building Tangible Interfaces incorporated in the built environment, or in architectural scale 10. Cedric Honnet, PhD student at MIT Media Lab; Keywords: HCI - Embedded Systems - Human Augmentation - Wearables 项目详情 Program Info 国际科技艺术 · 驻留与研讨会 International Art&tech Residency and Symposium 🗓️ 时间： 驻留：2025年1月 研讨会：01.06-01.12 📍 地点： 南方科技大学创新创意设计学院 深圳市人工智能与机器人研究院 科学+艺术联合实验室 💬 语言：英文 🔗 官网：scalablehci.com/2025 🗓️ Date: Residency: Jan, 2025 Symposium: 01.06-01.12 📍 Venue: SUSTech School of Design Shenzhen Institute of Artificial Intelligence and Robotics for Society (AIRS) SciArt Co-lab 💬 Language: English 🔗 Website: scalablehci.com/2025 研讨会日程 详见官网 Symposium Agenda. Details refer to website 组织 Organization 联合主办：南方科技大学创新创意设计学院、深圳市人工智能与机器人研究院、科学+艺术联合实验室。 联合赞助：深圳矽递科技公司、柴火创客空间、沉浸式设计小组、安克创新、Andone、粤港澳大湾区人机交互论坛。 组织委员会顾问：南方科技大学设计学院讲席教授孙效华、深圳市人工智能与机器人研究院常务副院长丁宁博士、深圳市人工智能与机器人研究院科学+艺术联合实验室艺术总监沈少民，麻省理工学院教授Neil Gershenfeld与Joseph Paradiso。 组织委员会主席：南方科技大学设计学院助理教授诸胜宇JE Seungwoo、麻省理工媒体实验室博士生Cedric HONNET、深圳市人工智能与机器人研究院科学+艺术联合实验室刘紫茵ZINN共同策划举办。 组织委员会成员：南方科技大学设计学院助理教授李雪亮、安鹏铖、张雪松，深圳市人工智能与机器人研究院科学+艺术联合实验室姜苏轩、深圳矽递科技蔡颖。 该项目灵感来源于麻省理工学院媒体实验室自2013年以来，历经十余年自发发展，逐步形成的一套研究创作与交流共创的独特模式。 Co-organizers: SUSTech School of Design, Shenzhen Institute of Artificial Intelligence and Robotics for Society(AIRS), SciArt Co-lab Sponsors: Seeed Studio, Chaihuo, Immersive Design Group, anker innovations, Andone, Greater Bay ACM SIGCHI Chapter Advisors Xiaohua Sun (SUSTech School of Design) Ning Ding (AIRS, CUHK-SZ) Shaomin Shen (SciArt Co-lab, AIRS) Neil Gershenfeld (Massachusetts Institute of Technology) Joseph Paradiso (Massachusetts Institute of Technology) General Chairs Seungwoo JE (SUSTech School of Design) ZINN｜Ziyin Liu (SciArt Co-lab, AIRS) Cedric Honnet (Massachusetts Institute of Technology) Commitee Xueliang Li (SUSTech School of Design) Pengcheng An (SUSTech School of Design) Xuesong Zhang (SUSTech School of Design) Suxuan Jiang (SciArt Co-lab, AIRS) Ellie Cai (Seeed Studio) The program is inspired by a unique model of research, creation, communication and co-creation that has been evolved by MIT Media Lab for more than a decade since 2013, organically grown from student-led self-organized initiatives. 项目为内部邀请，1月10日在深圳市人工智能与机器人研究院、科学+艺术联合实验室的活动，开放十个有限名额，请关注公众号并扫码报名，留下所在机构行业、研究方向、对项目活动的想法，工作人员将在1月6日前联系告知成功报名者。 The event is by invitation only, with a limited number of 10 seats available for public registration on January 10 at the Shenzhen Institute of Artificial Intelligence and Robotics (AIRS) and the SciArt Co-Lab. Follow our official WeChat account to scan the QR code and register. Please provide your organization/industry, research focus, and thoughts on the program/event. Successful applicants will be notified by our team before January 6. 编辑｜ ZINN ....... 海报｜ 姜苏轩 .......
