Immersive
vr影像《Inside Insides》的创作围绕眼睛这一符号展开,镜头从眼睛外部到内部走入层层递进的微观世界,一方面表现眼睛看到的外部世界自然环境空间到眼睛内部微观结构空间,另一方面是表达眼睛看到的外部世界进入眼睛内部由大脑思考的思想抽象意识境界。外与内形成虚与实的对比,表达将眼睛这一符号元素进行解构与重构的过程。尝试用真实与虚构的交织方式引发关于现实世界可知性的思考。探讨柏拉图的洞穴理论——眼睛所见是否为真实。层层递进的微观世界表达从现实世界的“拟态环境”逐渐走入潜意识、情绪及心理。
《Inside Insides》具备沉浸性、自主性、交互性的特点,带领观众进入一个超感官多维度空间以及精神世界。尝试探索虚拟现实图像的视觉美学风格,希望能呈现一部以数字技术为基础,虚拟现实为媒介,艺术观念为驱动的具有实验意义价值的影像作品。
The creation of the vr video "Inside Insides" revolves around the symbol of the eye. The lens moves from the outside to the inside into the microscopic world. On the one hand, it shows the external world natural environment space that the eye sees, and the microscopic space inside the eye. On the one hand, it is the abstract state of thought that expresses the external world that the eye sees and enters into the eye. The contrast between the outside and the inside forms a virtual and real, expressing the process of deconstructing and reconstructing the symbol element of the eye. Try to use real and fictional interweaving to stimulate thinking about the real world's identities. Explore Plato's cave theory - whether the eyes see it is true. The progressive micro-world expression gradually moves into the subconscious, emotional and psychological from the “mimetic environment” of the real world.
Inside Insides is characterized by immersion, autonomy, and interactivity, leading the audience into a multi-sensory multi-dimensional space and spiritual world. Trying to explore the visual aesthetic style of virtual reality images, and I hope that I can present an experimental video work which based on digital technology, mediated by virtual reality and driven by artistic concept.
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