艺术·界—蒙德里安的格子 Original

艺术•界——蒙德里安的格子 在科技发展迅猛下的今天，媒体作为一种传播信息的媒介也在不断的革新。随着信息循环对传统物质能量循环的替代，计算机技术的发展最终让我们实现生活中的一大部分事情正在转由数字化的方式完成。从而我们生活中的环境中的一大部分也正被带向数字化的对应物。所以我们所居住的城市空间被延伸出来另一个维度——虚拟空间。这种数字化结构的世界既可以作为我们物质世界的虚拟表现物，也可以作为智能生命领域的独立存在物。但是在城市空间扩展的同时，另一方面，也会带来城市空间的压缩。比如，我们可以利用网络游览全世界，可以借助艺术分享平台，足不出户浏览各大美术馆，从而使我们的社会逐渐媒介化、符号化、图像化。 另一方面，我们作为用户的各种隐私都暴露在网络上，用户的资料成为商家的资本，从而用户的隐私也成为了一大问题，我们变成了“众包”用户，掌握信息流通和媒介的人，成为影响文化传播的源头，这种单一性传播也暴露了媒介的遮蔽性。 那么艺术作为一种媒介和传递，什么是艺术？艺术又要怎么界定？根据阿瑟•丹托的“艺术界”理论，我们必须熟知美术史，才能去理解艺术，他对观者做了一个界定。但是当下社会的全球化发展，艺术日常化，又要如何界定？ 所以基于这个背景，我做了系列创作，表现在日益图像、媒介化的城市里，我对于公共空间隐私、媒介的遮蔽性以及对于“艺术界”的思考。利用软件模拟虚拟的网络空间，媒体立面展现蒙德里安，反思“艺术•界”以及媒体单一遮蔽性。当我们第一眼看这件作品的时候，我们会误以为是著名艺术家蒙德里安的抽象作品，但是当我们靠近的时候却发现里面藏着较为隐私的生活场景，那么这件艺术品还是“蒙德里安”的作品吗？以此反思艺术界线的问题。另一方面将著名艺术家的作品作为表象，里面蕴藏着人们的生活隐私场景，往往“媒体”成为了我们的“生活面具”，反思了生活中关于“公共隐私”与“众包用户”的问题。 The Boundary Of Art——Mondrian's Grid Today, with the rapid development of science and technology, media, as a medium to spread information, is also in constant innovation. As the information cycle replaces the traditional material energy cycle, the development of computer technology finally enables us to realize a large part of life is being completed by the digital way. Thus a large part of the environment in which we live is also being brought to digital counterparts. So the urban space we live in is extended to another dimension -- virtual space. The world of digital structure can be either the virtual representation of our physical world or the independent existence of intelligent life. However, the expansion of urban space, on the other hand, will also bring about the compression of urban space. For example, we can use the Internet to visit the world, and we can use the art sharing platform to visit major art museums without leaving our homes, so as to make our society gradually media, symbolic and pictorial. On the other hand, we, as users of all sorts of privacy are exposed on the Internet, users of information become a merchant's capital, thus the user's privacy has also become a big problem, we become the "crowdsourcing" users, master the circulation of information and media, become influence the spread of culture, the source of the oneness of transmission media has also exposed the shelter. So art as a medium and transmission, what is art? What about art? According to Arthur danto's "art world" theory, we must be familiar with the history of art to understand art, he made a definition of the viewer. However, with the development of globalization and the daily development of art, how to define it? Therefore, based on this background, I made a series of creations, which are reflected in the increasingly graphic and media-oriented city. My thoughts on the privacy of public space, the shadowing of media and the "art world". Using software to simulate the virtual network space, the media facade presents mondrian, reflecting on the "art • community" and the single media coverage. When we first see this work, we mistakenly think it is an abstract work by the famous artist mondrian. However, when we get close to it, we find that it contains more scenes of private life. Is this work of art still by mondrian? Through this contrast, it guides people to reflect on the boundary of art. On the other hand, the works of famous artists, as a representation, contain scenes of people's private life. "Media" often becomes the "mask of our life", reflecting the "public privacy" and "crowdsourcing user" problems in our life.