Immersive
《不要温和地踏入那个良宵》名称取自英国诗人狄兰·托马斯的同名诗歌,诗人感叹迟暮的老人向时间咆哮怒吼,而我的片子亦是表达时间,生命与循环的主题。
短片采用VR的形式,以时间为线索,分为晨,午,暮,夜四个片段。
观众以公共电话为通道,进入异度的虚拟世界。他出生在清晨的木船,踏入午时的影院,奔跑在暮色下的工厂,入夜后,他又缓缓进入坟墓。四个场景共同构成一天也是片中人的一生,在我的世界,木舟可以飞翔;荒废的剧院可以播放电影;化石可以行走;而进入沙漠,进入深远良宵的孤独旅程,亦有着无数陌生的目光陪伴,相随。
但他的故事并未结束,因为在他的坟墓前方,尚有一艘他出生时的木船......
The name "Do not go gentle into that good night" is taken from the poem of the same name by the English poet Dylan Thomas. The poet sighs that the old man is roaring in time, and my film is also the theme of expressing time ,life and circulation.
The short film is in the form of VR, with time as a clue, divided into four segments: morning, noon, dusk, and night.
The audience uses the public telephone as a channel to enter the virtual world of different countries. He was born in a wooden boat in the early morning, stepped into the cinema at noon, and ran in the factory under the twilight. After entering the night, he slowly entered the grave. The four scenes together make up the day and the life of the film. In my world, the canoe can fly; the ruined theater can play movies; the fossils can walk; while entered into the lonely journey with the far-reaching and good night in the desert, there also has countless strange eyes to accompany.
But his story is not over, because in front of his grave, there is still a wooden boat he was born in...
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