a poem shooting Original

是一首「对诗歌的拍摄」的影像。 所选的诗是诗人尹丽川的《现实两种》，除了完全是两个时空的两种以外。两类现实还发生在了诗里诗外，即影像展现的主体，一次上门服务的按摩。 灵感来源于一名为‘水曜日的康帕内拉’组合的主唱，在自己的ins平台上拍下的一段有关中国潜在的性服务广告的短视频。 片头是一位无关主体的女孩在拍摄自己吃冰淇淋的影像，它的插入是基于自己对诗歌本体的一种联想。它们的组合表面上可以是毫无联系的，但同样是在进行拍摄，只不过她是在拍摄自己，这是表层的第一种现实。 第二个现实所开启的则是一个较完整的段落，女1播放了网络上的视频，实则也相应地安排了按摩服务。广告图与现实的反差，以及配着描述男女「性」关系的诗歌来展现同性按摩一事，都在进行着不明显的对比的戏谑。 从而让观者思考什么是现实、真实，什么又是与之相反的虚与假。这样的嵌套，作者觉得很有意思（包括一些无意义的倒放特效，这可以简介地在表达一种态度：诗歌是无用的）。 It is an image of "shooting poetry". The selected poem is the poet Yin Lichuan's "Two Kinds of Reality", except for two different dimensions on time and space. Two types of reality also occur inside and outside of poetry, that is, the subject of image display, a massage of door-to-door service. Inspired by a Japanese pop group named Wednesday Campanella's vocal , she showed a short film about Chinese sexual commercial card on the ins. The prologue is an unrelated subject who is shooting an image of her own eating ice-cream. Its insertion is based on my own understanding on the poetry ontology. Their combination can be unrelated superficially, but it is also shooting, she is just shooting herself, this is the first reality in a sense. The second reality is a more complete paragraph, the female 1 clicked the video on the network, in fact, the massage service was arranged accordingly. The contrast between the advertising image and the reality, as well as the poems that describe the "sexual" relationship between men and women to show the homo's massage, are all playing an inconspicuous contrast. So that the viewer can think about what is reality, truth, and what is vain and false. This kind of nestification, the author thinks it very interesting (including some meaningless inversion effects, which can be an expression of a personal attitude: poetry is useless).