不安全标识 THE UN-SAFETY SIGN Original

不安全标识是一个可持续作品计划，主题来源于马路上随处可见的交通标识，在原先的基础上做出更改，并以动态方式，跟实际相同的比例与原有标识进行替换。此方案适用于各种公共场所，从方案到落成，每次展示的作品内容都会有所变化。

此作品方案源起于毕业一年后，该时期困惑着社会期望与个人选择之间的磨合，留意到手机相册里无意被记录下来的各种标识，由此产生思考：对于毕业前后迷茫期还未消退的学生来说，脱离定时发放课业任务的校园，承担起经济压力，伴随着观念的颠覆，体验到个人的微不足道与对外界的怀疑，这般无所适从感跟在没走过的路上开车到一半发现导航出错的司机一样——在鼓吹个人主义高度发展的当下，人反而变得更加迷茫。

马路在这里可被视为是现代社会的缩影，路标象征一种无名权威的引导。佛洛姆在《健全的社会》中提及“社会成员的行为是否遵从社会模式并非出自有意识的决定，而是他们想要按照他们必须遵从的模式行动，在定位坐标系中倾向于被引导以保证社会的持续运行。”在活动中，聚焦精力于目的，而非对前提提出质疑，这种工具化的过程使得自我丧失，逐渐变得日益趋同。

不安全标识旨在提出新的可能性：如果熟悉环境失去其既定的秩序会变得如何？

In order to change the functions, the safety signs are marked in specific places in each floor plan, with scaling up or changing the quantities based on an in-depth survey of the venue – CAFA ART MUSEUM.

THE UN-SAFETY SIGN aims to bring the significance of under-earth rules in daily life back to the stage and guide the audiences to consider further rationality of existence. As what Hegel said, “What is reasonable is real; that which is real is reasonable.” THE UN-SAFETY SIGN tries to find more possibilities which are excluded from the system.

THE UN-SAFETY SIGN series were first shown in THE THIRD CAFAM BIENNAL (9 Nov, 2016 – 8 Jan, 2017) and can be displayed in different public spaces with adjusting its flexibility accordingly.