[第五届流明奖项作品] Audiograph

投影在墙面上的感应时钟将听觉可视化， 将声音转变成了光。时针和分针用实时声波代替。用视觉化记录了频谱和整体输入声音音量调控，并形成圆形时钟。在任何给定的时间，观众在观看钟的同时不仅仅可以看到现在的准确时间，并且可以看到最后一分钟在视听领域的有趣形态。
A projected clock senses and visualizes the auditory environment in which it is situated, translating sound into light.
The hour and minute hands are represented by real-time audio waves, and the second hand traces out and visually records the frequency spectrum and overall volume of the audio input as it circles the clock. At any given time, the viewer can look at the clock and see not just what time it is, but what the last minute of time in the aural realm looks like.
Audiograph listens to its surroundings and translates sound into light, regardless of the sound’s origin. The tone of human voices, music, traffic, water, and the other sounds found in the city are all different, and will all appear differently on the projected clock face. A large clock is a common object to encounter in the public space, but this clock causes viewers to think differently about the space that they are occupying and moving through, since it enables them to “see sound.” Audiograph also has the potential to transform the tone of the public space it occupies into one of play, interactivity, active listening, and intentionality.
Debuted at Art in Odd Places 2015: TONE. Art in Odd Places 2015: TONE was curated by Patrick Greene & Genevieve Bernard. Festival Producer, Timothy Turner. Produced by Downtown Orlando Arts District, Barbara Hartley, Executive Director. Supported in part by Downtown Orlando Arts District and Charles March, Power Movements.