《梦核·童年灵韵考》 Original

This work is anchored in the philosophy of 'childhood is the homeland of the soul, dreams are the archaeological site of consciousness.' Through the fusion of surrealism and dream-core aesthetics, it conducts a deep 'archaeology' of the individual spiritual genealogy. It condenses the pure perception of childhood, the awakening pains of self-awareness, and the reconstruction of the emotional world into a series of epic visual symbols—ranging from the 'color ghost' of consciousness chaos, to the 'shattered face' of self-cognition, and finally to the 'toy utopia' of emotional refuge. Each frame questions: how do we salvage the essence of childhood from the fragments of dreams, and how do we decode the truth of the self from the relics of childhood? Ultimately, the work presents a unique 'hazy sense of reality' through the dream core, allowing the audience to confront their own spiritual growth's 'original code' amidst the visual tension of familiarity and strangeness, completing a subconscious dialogue about 'where I come from, and where my spirit is headed,' achieving an aesthetic resonance between individual memory and collective nostalgia, triggering the audience's resonance with the subconscious of childhood and dreams, and completing a tracing expression of self-spiritual growth.In terms of presentation form, projection was used.