徽派建筑投影《“我”》 Original

徽派建筑投影《“我”》： 每个时代的建筑，其实可以算是每个时代人们的智慧结晶，人们在其内生存，繁衍，处处都是他们留下来的生活痕迹，我们可以从中探究先辈们在当时是如何生活的，这时，这些建筑就相当于沟通过去和现在的时空中转站，而现在随着时代的发展，我们越来越忽视这些前辈们留下了的这些宝贵遗产，甚至去破坏它们，大多数人们不愿意耗费时间成本走进它们了解它们，认为这些建筑只是一幢冷冰冰木材泥土的构成物，通过投影秀的形式为其注入新的生命力，吸引人们对其的注意力，从而加深人们对这些古建筑的了解。 建筑上的画面经过不断的破碎重组，形成新的画面。带有引号的“我” 是建筑亦是作者本身，这时建筑与人具有共通性，一同走上了山本耀司提出的与他物碰撞的自我探索之旅。 Architecture of each era, in fact, can be regarded as the crystallization of wisdom of people of each era. People live and multiply in it. Everywhere they leave traces of life. We can explore how their ancestors lived at that time. At this time, these buildings are equivalent to the space-time transit station for communication between the past and the present. Now, with the development of the times, we are increasingly ignoring them. Most people do not want to spend time and cost to get to know these precious legacies left by their predecessors. They think that these buildings are only the components of cold wood and mud. They inject new vitality into them through projection shows to attract people's attention and deepen people's understanding of these ancient buildings. Architectural pictures are constantly broken and reorganized to form new pictures. The quoted "I" is the architecture and the author himself. At this time, the architecture and the human have the commonality, and together embarked on the self-exploration journey of collision with other objects proposed by Yamamoto Yaoshi.