Immersive
Fate is the source of good above all things. It is positioned in heaven and on earth. The moon moves. There is no difference between the sacred and the ordinary in nature. Emptiness is boundless. The moon on the sea water is turned into a water tray. Sea water is turned into drops. The moon is turned into a tray. Intangible is turned into tangible. Emptiness is everywhere because of fate. Therefore, I have my work,"What Is Stardust".
梦是通往理想世界的云门,现实与虚幻之间游离徘徊,如痴如醉,如梦如归。
能够回想起来对星空的好奇大概是七八岁的时候,住在独门独院的二层小楼,黑夜降临周围漆黑一片,星空中飘着丝状的云彩,那时还以为看到了银河。
看到星空,我感受到浩瀚宇宙的伟大,就像信仰一样热泪盈眶,想为它虔诚跪拜。
我通过现实与梦境自我感知,这样才会调动我所有的兴奋点。
宇宙本身就是艺术,所以用艺术的方式呈现最自然不过。
在创作《何物星尘》之初就是因为一个梦。
何物星尘,缘起性空
缘,万物之上善之源,起天地定位,月躔位移,性凡圣无别,空,空意欲识流,至无意识界。
海水明月终化为水盘,海化水滴,月化为盘,无形而化为有形,若空若有,万般因缘尽此中,此为缘起性空。从晋·王羲之《兰亭集序》:仰观宇宙之大,俯祭品类之盛。至哥德·《浮士德》:理论是灰色的,生命之树常青,缘起而性空,有了我的作品何物星尘。
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