无生命体众生Inanimate Sattva Original

录像装置 Video Installation
Duration长度 00:07:46
2017

传统民间视觉图像代表着某种集体精神的缩影。在数码时代的民间视觉形式——游戏美术背后，娱乐市场发展、劳动力剥削等问题反映在生产者（美术设计师）的个人经历中。游戏美术里各类栩栩如生的无生命体卡通角色，它们人造的生命力输送自劳动者自身。卡通角色越生动，美术设计师的业余时间越少、健康状况越退化。我通过回顾的方式，如实陈述了以前的一次工作经历。

To some extent, traditional folk imagery reflects collective consciousness. Nowadays, people are used to digital images. Behind the scenes of art in games, the personal experiences of the designers, their development in the entertainment industry and the exploitation of their labor during that process, shine through. The artificial liveliness of cartoon characters is squeezed from their producers. The more lively cartoon characters are, the less personal time that CG designers have and the worse their overall health conditions are. This statement reflects my own past working experience.