孙必振／Sun Bizhen Original

大多数历史是由那些经历了灾难但是遗留下来的事物组成的。而这些超越了灾难的历史在当下的存在方式除了物品本身，文字和影像以外是否应有别的存在方式？ 我们从Jalal Toufic的The Withdrawal of Tradition Past a Surpassing Disaster得到启发。这件作品的目的在于，用新兴的科技手段，构建新的体验界面，刷新人的固有思维，形成对旧事物的新认知。《孙必振》这个故事摘取于清代杂记《聊斋志异》。我们用当下的科技手法，把故事空间化实体化。观众不再是单一的接受者，他们变成了开启剧情的那一把重要的钥匙 。在这个我们创造的沉浸式空间里，通过传感器的感应，观众会在无意之间与画作进行交互。我们的最终目的在于，拯救这些超越灾难的传统，开启体验历史故事的新模式。


Inspired by The Withdrawal of Tradition Past a Surpassing Disaster by Jalal Toufic, this work is our attempt to achieve resurrection when discerning the withdrawal of tradition past a surpassing disaster. We aim to reconstruct people’s recognition towards tradition in this era. We choose Sun Bizhen this story from a traditional Chinese book Strange Tales from a Chinese Studio as our based. We create an immerse space to allow audience walk into a scenery to experience this story in a space where reality and illusion blends with each other. Audience in this piece are no longer one-way receiver, they now become the key to unfold the story. By using distance sensors, audience are able to interact with the piece unconsciously. In this piece, we are not simply trying to adapt a story to another medium with its own specific parameters or to another historical period, but to resurrect it. And the audiences are the judges as to whether the resurrection succeeded or not.