戏 （Play） Original

当人的记忆与城市的记忆交合重生，我们对于这座城市的认知究竟是这座城市固有的还是虚假虚妄的？当你作为一名“观察者”看这座城市的时候，当你自身存在的客观性被质疑的时候，当你处在一个完全被操纵控制的“意识城市”中的时候，你又会怎么做？
“戏” 在文学里即滑稽义 , 指游戏式调侃式的模仿读者和听众所熟悉的作者与作品中的词句、 态度 、 语气和思想等 , 构造一种表面类似，却大异其趣 , 从而达到幽默和讽刺的效果的符号实践。
在我们的这件作品里没有情节，没有明确的主人公，有的只是我们对生活对城市的纯“描述”，平静连接着混乱，现实连接着虚妄…几乎什么都没有“发生”，就像一场“戏”。
我们试图从不严肃达致严肃，从惯例到不寻常，从游戏情节达到崇高精神，陷入一个荒谬又有序的世界。

When the memory of the city and the memories of the rebirth, our understanding of this city is the city inherent or false?
When you look at the city as an "observer", what do you do when your own objectivity is questioned, and when you are in a "conscious city" that is completely manipulated and controlled?
"Play" in the literature that is comical meaning, refers to the game-style ridicule of the reader and the audience familiar with the author and the works of the words, attitudes, mood and ideas, to construct a surface similar, but greatly different interest, so as to achieve humorous and ironic effect of the symbolic practice. In our works there is no plot, no clear protagonist, there is only our life to the city's pure "description", the peaceful connection of chaos, reality connected to the false ...
Almost nothing "happens", just like a "play". We try to be serious by not being serious, from the usual overthrow of the unusual, from the game plot to the lofty spirit, into an absurd and orderly world.