抹除与重塑 Original

The shape of the work is a sphere, which is displayed in a hanging way. The material is stainless steel and the coloring pigment is black 2.0. The absorbance of the pigment can reach 99.96% and the size of it is variable, depending on the environment (there are specific requirements for the environment: indoor, public space). From any point of view, the work is presented as a black circle, which appearance is very surreal, just like using PS to forcibly erase a part of the space in reality. This part of space will have the possibility to be remodeled by the individual subjectively. From the psychological point of view, this kind of misplacement phenomenon which overlaps the illusion and the reality, and the expression of minimalism, will be more likely to attract the public's attention, leave more space for thinking, and is extremely difficult to forget. From the perspective of quantum mechanics, the interior of the black coating is in an unobservable state. At this time, this part of the unobservable space will be in a superposition state. Before being observed and collapsing, the internal state of space has infinite possibilities. From the perspective of urban sociology, whether the placement of erasing a part of the space and leaving a "hole" in a public area is reasonable or has higher value, depends on the viewer's subjectively remodeling of the space.This process of communication may trigger the public to re-examine and re-think about the mainstream values. From the perspective of the creation of lighting installations, the common manifestations are: emitting light with a light source; using the physical characteristics and phenomena of light to reflect, diffuse, refract, scatter and diffract light. It is relatively rare to see works whose main form of expression is "the physical characteristics of light being absorbed by matter" as the main form of expression.