剧场A Original

Theater A uses Oscar Schlemmer's conception of stage characters and the BIG DUMB OBJECT style to parcelize the history of the place. The work will be composed of three parts: in the ship of the People and no fool toiling in the forgotten.

In this way, theater A presents the past history to the audience as a landscape, but because of its huge silent object characteristics, its sublime side is more than the landscape characteristics. In this way, history is re-mentioned as the question of the present. At the same time, theater A of the whole work is a kind of surplus, a surplus between the actual occurrence and narration of history. This work is just an opportunity to force us to face history, but its real significance is how we face reality and history after leaving the space constructed by Theater A, and how we understand this moment as a kind of messianic time with tension.