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新京剧《霸王别姬》| 当代艺术审美与传统文化的完美交融 Original

Virtuality and Reality舞台设计交互影像 ActingTechnology舞台设计 Festival and CelebrationShow Space话剧
flora&faunavisions 2021-02-08 2935

Creators

Light
Water
Immersive
Traditional Culture
Chinese Style
Digital Art
Creative Coding
京剧

With "Farewell My Concubine" flora&fauanavisions took the story of ill-fated love, loss, abandonment and hope back to the For East for the for the grand opening of the 21st Beijing Music Festival. Attended by government officials and sold out to over 1000 spectators daily, the show was a marvel of East meets West


In a unique twist, internationally acclaimed director and long-term flora&faunavisions collaborator, Chen Shi-Zheng, updated the traditional Beijing Opera with plenty of spice, pizzazz, martial arts wizardry and cheeky Vegas glam, yet removed all props and stage design to focus on video and light as the sole aesthetic elements across a 10 metre long LED stage backdrop.


Considering the opera’s grand gestures, morals and emotions, it seemed only fitting to accompany the unravelling narrative with equally far-reaching and all-encompassing visual themes (fire, water, landscapes etc.) and references, forming a brand new guise, interpretation and visual style. For added impact, two key scenes received further input and depth by means of a thin sheet of gauze, stretched across the front of the stage, to serve as a divider, screen and canvas in one. The resulting play of layers - HD projections on the gauze behind the actors and thrown into sharp relief by strong LEDs - not only created added depth on stage, but also conjured up optical illusions, immersing actors in flora&faunavisions’ visual content for a tricky and delightful interplay of the senses. The software for running this immersive show was programmed by MEDIA DFKT - founded by our long-term art director, Shan Blume.


Dedicated shoots before the production served to splice in further actors, and even a horse, through the clever use of video and reflections. Extra visual effects included a mix of graphic and photorealistic elements, treated to imbue the slick and glossy production and LED features with an analogue, hand-crafted touch as a reminder of the story’s touchingly humane message.


Client: Reignwood Theatre

Client 2018: Beijing Music Festival

flora & faunavisions:Motion Design & Creative Coding

Photos :Malte Ludwigs & Shan Blume


Read more into this unique project on our website: ⁠

https://www.florafaunavisions.de/projects/1246

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