SCHERMO DIMENSIONALE / SCHERMO SCULTOREO DIMENSIONAL SCREEN / SCULPTURAL SCREEN

DIMENSIONAL SCREEN / SCULPTURAL SCREEN
The first analysis comes from the assiduous attendance of monoclinal video art festivals, in itself nothing wrong, normally the basic logistics occupy traditional cinema type spaces, but a series of shorts different in form and realization can be pressing in an almost violent way, on this consideration of impediment tilting comes the first analysis of having a free viewing space , which allows the viewer to move, without disturbing the vision of others, and feel free to follow the most pleasant shorts avoiding the others.
Indi a three-dimensional space, but apart from the solutions with semi-transparent screens or multiscreens with different viewing angles, in themselves excellent alternatives , it is still inevitable for the philosophy of Basmati Video to enter into a deeper consideration, obviously daughter or close to of installation-type situation, where the viewing space is open and allows free viewing as wide as possible,
VARIABLE OBSERVATION TIME, RELATIONSHIP WITH INSTALLATION, NOT SUBMITTING THE SPACE BUT MANAGING IT relationship of vision between space and time.
This open space allows for a dilation of viewing time, and the level of absorption that each viewer will want to give to each work being viewed, also allowing for a variable Which we call,

DILATED VISION WITH ABSORPTION
That is, not a merely analytical vision of the traditional and logical kind , but an almost epidermal, and ensemble absorption that goes beyond conscious logic as much as possible and attempts to make itself usable to a part of the subconscious of each viewer, sometimes traditional analytical concentration tends to exhaust itself or lead to conditioned reasoning, otherwise a direct and deep acceptance comes to communicate directly with the deepest and most primordial part.